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Best Colored Paper 2018 – [Buyer’s Guide]Last Updated December 1, 2018
Best Colored Paper of 2018
Here are the customer reviews of some of the best colored paper of 2018. Whether you’re looking to upgrade your comfort, style, or accessibility, we have picks to fit a variety of needs and budgets. Simply review and buy them. The rating is based on multiple factors: The 3 metrics ‐ Design, Materials, Performance, and other indicators such as: Popularity, Opinions, Brand, Reputation and more.
Test Results and Ratings
№1 – Colore ProVisible Graphite Transfer Artist Paper 9×13″ – Boldly Create Art With Reusable & Erasable Carbon
Why did this colored paper win the first place?
I really enjoy the design. It is compact, comfortable and reliable. And it looks amazing! The product is very strong. Its material is stable and doesn’t crack. I was completely satisfied with the price. Its counterparts in this price range are way worse. I don’t know anything about other models from this brand, but I am fully satisfied with this product.
Why did this colored paper come in second place?
The material is pretty strong and easy to wash if needed. Managers explained me all the details about the product range, price, and delivery. The design quality is top notch and the color is nice. I like this product. For such a low price, I didn’t even hope it to be any better. It’s decently made.
Why did this colored paper take third place?
I liked the design. We’ve been using it for 2 months and it still looks like brand new. It is inconvenient to use due to the size. I am going to get something different next time. The material is incredibly nice to the touch. It has a great color, which will suit any wallpapers. This price is appropriate since the product is very well built.
Colored Paper Buyer’s Guide
Tant – Incredibly Versatile Paper
This is probably the most versatile kind of origami paper. It’s made in Japan and also quite famous. Tant paper can be used to fold pretty much anything from simple models to complex ones. It’s a stiff paper with a very delicately textured surface. The paper is pretty thin, around 70 to 80 gsm. It always comes in a single colour, the same on both sides and there are lots of colour options.
This paper is quite flexible and holds creases and shapes very well.
Theres a huge amount of different colour options available and the colour doesn’t fade over time.
It’s very easy to colour one side of the paper with ink or paint.
Tant paper comes in a wide variety of different sizes. 7.5cm x 7.5cm to as big as 110cm x 80cm.
Color vibrancy is the liveliness of the colors from the pencils. There are colored pencils that will require you to add more strokes or layers to make each the colors brighter and livelier in your canvas. Meanwhile, some colored pencils do not require heavy strokes or added layers to make colors alive.
Depending on the project you are doing or even your preference, you might want to check the pencil’s color vibrancy.
Care For Your Colored Pencils
When you’ve chosen your colored pencils, placing them inside the box is not the only way to care for it. Here are a few tips to maintain your colored pencils:
You need to choose the right sharpener with regard to size and blade quality.
Some consider turning the sharpener rather than the pencil for less tension on the pencil.
For wax-based pencils, heating them a little can cure breakage as the wax melts and fuse together.
It might also be helpful to use just the right amount of force with the pencils.
As you can see from the image stippling is made by making dots of the pencil. It can be made with sharp for thinner circles and dull for bigger dots. This technique is suited for added texture on the canvas’ surface.
Hatching, on the other hand, is made with slanted lines. It can be used when doing straight images to create dynamism.
Similar to hatching is the cross-hatching, which can be made by crisscrossing the lines.
The back and forth stroke is a more free-hand stroking where you go back and forth to fill in the spaces.
A brand that has been in the industry for over 7years that provides art tools for professionals, students and beginners alike.
It has a softcore or soft lead that is suitable for shading jobs. Artists and professionals can find this an enjoyable set for complicated shading.
The set includes 4counts or individual pencils that give you more color options. It can be suited for different and complex coloring works.
The softcore allows you to easily make strokes and blending to create unique color combinations.
This set packs highly saturated pigments inside each pencil, which create vibrant colors or saturated colors. It helps in attaining the right intensity of the color you might need for your project.
It has a good lightfast, where artists can expect colors to less discoloration as the time goes by.
The softcore easily breaks, especially when used with stronger force when doing coloring tasks.
If users have a minimal idea on proper usage, the wax make glob or chunk matters on the paper making one’s work uneven.
There are powder coming off from the pencil, which if one is not careful can create unwanted smudges on the paper.
2. Faber-Castel 2Piece Polychromous Colored Pencil Set In Metal Tin
Another household brand that has been around since the 1700s, Faber Castell is all about marrying traditional pencil making and environmentally friendly product as Faber-Castel 2Piece Polychromous Colored Pencil Set In Metal Tin.
This set of colored pencils is in “polychrome” or in varied colors. It comes in 2counts or individual colored pencils that are considered a wide enough range to allow users different color combinations.
It has the right combination of hardness and softness of the lead. This feature can help the artists with both detail work and color blending. Thus, it can help with complex color or even drawing jobs.
It produces vivid or vibrant colors, which can help you, as the users, with getting the right color. The color vividness can also keep you from putting too much layer in order attain vibrancy.
The set does not include the basic colors (i.e. the purple or violet shade). The lack of these hues can be an issue for beginners who do not know how to blend and mix colors.
3. Derwent Colored Pencils, Drawing, Art, Colorsoft, 12-Pack
A brand that is known and widely used by students, Crayola brings in their 2count colored pencils.
It was environment-friendly created as the manufacturer used reforested wood.
The set comes in 2counts, which will give you good color options, especially when doing big or extensive artwork.
The colored pencils are suited for kids because of the non-toxic feature of the product.
Pencils create easy color blending that is advantageous for creating different colors despite only having 2counts (less than the 4of Prismacolor.
The lead is soft enough to make mixing and blending easy.
Printer Buying Guide: What to look for when printer shopping
Choosing the right printer can be a daunting task. There are several types of printing technologies to choose from, each suited for different needs. Printers come in all shapes and sizes, from tiny travel companions to work group workhorses; some are geared toward photographers, others are for multitaskers. And the many specifications for resolution and speed can be misleading. As a loose rule of thumb, inkjet printers like the HP Photosmart 75and the Canon Pixma MG3220 are a must for vibrant colors and long-lasting photos, whereas Canon’s ImageClass MF30and similar laser printers are best at producing speedy text documents. To get started, you’ll need to decide which of the following profiles best fits your user type.
For a more comprehensive index, be sure to check out our list of Best printers.
The home user demands a lot from a printer. The device must tackle everything from a book report to a newsletter to the occasional snapshot — all without breaking the budget. This is why the best choice is a versatile and affordable printer, such as a small-office/home-office color inkjet.
Any inkjet can print photos in color, but if you want results that approach professional photofinishing, you’ll need a printer designed to reproduce the dynamic range of a traditional photograph. If you consider the printer a critical aspect of your digital darkroom, you need to look at the gamut and characteristics of the ink set, the supported papers, the color-management tools, and the paper path options.
If you plan to purchase only one printer or are a serious hobbyist, a letter-size inkjet is your best bet, since it can also handle routine printing tasks. Some use thermal dye-transfer technology (also known as dye sublimation) in which heat changes the physical state of solid inks until they infuse specially coated paper, solidifying as they cool.
The alternative: If you’re into digital photography but also run a busy home office, consider a multifunction printer. Manufacturers of these all-in-ones have been working on improving photo output and scanning technology, and many offer multiple ink cartridges that save you money in the long term by allowing you to replace each color as it depletes, as opposed to purchasing a brand-new three-color cartridge every time one color runs out.
Additionally, most all-in-ones boast memory card slots and LCDs on which to preview prints and do light editing, in addition to connectivity options like Ethernet and wireless, with Apple AirPrint and Google Cloud Print features in the upper tiers.
Small businesses can benefit from a jack-of-all-trades model like a multifunction or all-in-one printer. These space-saving devices come in both laser and inkjet models that also include a fax machine, copier, and scanner along with printing to round out the versatility.
Work group lasers are the obvious choice for your small business or team within a larger organization. Designed to juggle multiple print jobs, these systems have faster processors, more memory, and print engines that are capable of churning out more than 3pages per minute.
The alternative: A business-class inkjet may be sufficient if your team has modest printing needs, and most models support network printing and wireless connectivity. If you’re an employee bound for work-related travel and find yourself hunting for a printer, many manufacturers still produce special mobile printers that make for useful accessories on the road.
Most buyers start with a general notion of the type of printer they’ll need. The reason is that different printing technologies are suited for different printing needs and budgets. Below we’ll talk more about the basic types of printers and their pros and cons.
Sorting out the specs
When evaluating printers, the first thing you’re likely to see is a long list of specifications chock-full of acronyms such as dpi and ppm. Not only are all these specs confusing, but they also often have little or no bearing on the performance you’ll actually get in the real world. Here’s how to keep it all straight.
One of the most widely cited specifications, the resolution, refers to the maximum number of dots per inch (dpi) that can be printed, measured both horizontally and vertically. For example, a 600x600dpi laser printer lays down a 1-inch square composed of 600 dots both vertically and horizontally.
Frequently, you’ll see resolution with different values for horizontal and vertical. That’s because while the printhead has a fixed number and density of nozzles that determine the horizontal resolution, the vertical resolution is determined by the increments at which the paper feed mechanism can reliably move the paper through the printer.
This spec measures how many pages or photos per minute (ppm) a printer spits out. Sounds pretty straightforward, right? Unfortunately, it’s not so simple. To come up with the fastest-possible speeds, some manufacturers test using basic text documents at the lowest-quality print settings (Draft mode) on plain paper — not exactly a real-world test. Based on our experience, you can expect to see about half the speed promised by the manufacturer.
In recent years, the International Organization for Standardization (ISO) developed a set of standard documents and criteria for measuring and reporting print speed (here’s a marketing-speak-free description).
These are a mixed blessing. While all the manufacturers now report their speeds for a common test, and the standard mandates that all tests be done at the default settings, it doesn’t mandate that the manufacturers report what those default settings are. So the so-called “apples to apples” comparisons aren’t, and buyers are just as much in the dark as they ever were.
Ideal for home office and business use. They tend to be larger in size. printers?
These combine a scanner, photocopier and printer in one unit (some even include a fax machine). They’re available in both inkjet and laser printer varieties.
The only way to get photo-quality prints is with a dedicated photo printer. These use additional colour cartridges to produce more colour detail.
Most printer manufacturers offer apps you can install on your mobile devices so you can print from them directly.
Many printers are also compatible with Apple Airprint (for Apple devices) and Google Cloud Print (for Android devices).
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Xuan Paper Classificiation According to Recipe
For professional Xuan paper making, we have two major classification for Xuan papers according to the percentage of the Pteroceltis Tatarinowii bark.
Jing Pi xuan paper: This category refers to professional handmade Xuan papers which contain at least 60% Pteroceltis Tatarinowii bark. Both of these two types of Xuan papers are professional grade Xuan papers. They are professional Xuan paper for calligraphy and sumi e/ Chinese paintings.
Jing Pi: 60% Pteroceltis Tatarinowii Tree Barks, 40% rice straw.
Mian Liao Xuan paper refers to the type of Xuan paper which contains 30% Pteroceltis Tatarinowii tree barks and 70% rice straw, or 40% Pteroceltis Tatarinowii tree barks and 60% rice straw. Such type of paper is suitable for normal calligraphy and painting purposes.
Perfect Range is the top quality highest grade Xuan paper and the preferred choice for professional and exhibition use for most types of calligraphy and Chinese brush painting. Perfect is distinctive for using the purest level of quality Pteroceltis Tatarinowii tree bark.
This paper is equivalent grade to Red Star paper, but is cheaper since it comes unbranded from the village workshops. If you see cheaper anywhere else, check the size, lower price may be smaller size. Our Perfect Xuan is all in the larger 138x70cm Plus size, we can also ship half-size which is more convenient for shipping. There are three different grades:
Perfect 85 85% bark, 37gsm. This is the top of the range professional art paper.
INKSTON Perfect 70 Xuan Paper
INKSTON Perfect 70 Xuan Paper contains 70% very fine Pteroceltis Tatarinowii tree bark, it is untreated/unsized (raw/uncooked in Chinese) and is suitable for both painting and calligraphy. It is especially recommended for professional use. To make this Perfect grade paper the fibres are steamed/boiled and the pulp mixed for several hours longer than usual. This makes the paper finer and stronger than… –
INKSTON Perfect 80 Xuan Paper
INKSTON Perfect 80 Xuan Paper contains 80% very fine Pteroceltis Tatarinowii tree bark, it is untreated/unsized (raw/uncooked in Chinese) and is suitable for both painting and calligraphy. It is recommended for people who have at least intermediate level of Chinese calligraphy or/and painting. To make this Perfect grade paper the fibres are steamed/boiled and the pulp mixed for several hours longer than… –
INKSTON Perfect 8Xuan Paper
Perfect 8is prepared using the finest ingredients and production process the highest concentration 85% bark which is all naturally sun-bleached. This is fine 37gsm paper, in large 138x70cm size (I sheet has a surface area equivalent to 1sheets A4). Available in pack sizes: 2sheets half-width (0.4kg net weight) 2sheets (0.8kg net weight) 50 sheets (1.6kg net… –
Red Star Te Pi 特皮 Xuan Paper 6* 13cm
Only available in whole pack of 100 sheets. Size: 6* 13cm Grade: Te Pi 特皮, single layer Components: 80% Pteroceltis Tatarinowii Tree Barks, 20% Rice Straw. Recommendation: calligraphy, Chinese painting, creative painting, big scale free hand brush painting Special Features: the paper has high percentage of Pteroceltis Tatarinowii tree bark fiber and this makes the paper very sensitive…
Double Xuan is double thickness Xuan paper, it is literally twice the thickness and weight of standard single Xuan.
This means it can hold more moisture so it is popular for watercolour painters and often recommended for students as more forgiving than single Xuan when learning to control the flow of ink.
INKSTON Double Xuan Paper
INKSTON Double Xuan paper contains 38-45% Pteroceltis Tatarinowii tree bark, it is untreated/unsized (raw/uncooked in Chinese) and is suitable for both painting and calligraphy. This paper is double layer for twice the weight, thickness and absorbency of single layer Xuan Paper. It also requires extra skills and experience to make the paper. The paper is quite strong and endurable. This is fine… –
INKSTON Expert Landscape Xuan Paper
INKSTON Expert Landscape Xuan paper contains 6to 75% Pteroceltis Tatarinowii tree bark, it is untreated/unsized (raw/uncooked in Chinese) and is particularly recommended for landscape painting. This paper is thicker than Extra Fine 333Plus Xuan Paper. To make the Expert grade Xuan paper the fibres are steamed/boiled and the pulp mixed for longer than usual. This makes the paper finer and… –
INKSTON Extra Fine Landscape Xuan Paper
INKSTON Extra Fine Landscape Xuan paper contains 6to 75% Pteroceltis Tatarinowii tree bark, it is untreated/unsized (raw/uncooked in Chinese) and is suitable for both painting and calligraphy. To make the Extra Fine grade Xuan paper the fibres are steamed/boiled and the pulp mixed for longer than usual. This makes the paper finer and stronger than normal Xuan Paper. This is fine… –
INKSTON Expert Calligraphy Xuan Paper
INKSTON Expert Calligraphy Xuan paper contains 6to 75% Pteroceltis Tatarinowii tree bark, it is untreated/unsized (raw/uncooked in Chinese) and is suitable for both painting and calligraphy, especially recommendable for calligraphy. Expert Calligraphy Xuan paper is made with Pteroceltis Tatarinowii which is only steamed and boiled once. Extra work is done on the pulp production to make the paper finer and… –
INKSTON Extra Fine 657Xuan Paper
Handmade in the most traditional way with spring water, years old Pterocelti Tatarinowii tree barks and rice straw. INKSTON Extra Fine 657Xuan paper contains 6to 75% Pteroceltis Tatarinowii tree bark, it is untreated/unsized (raw/uncooked in Chinese) and is suitable for both painting and calligraphy. To make this extra fine grade paper the fibres are steamed/boiled and the pulp mixed… 熟宣 Shu Xuan sized or cooked Xuan paper
The plain sized Xuan Paper and the Mica Shimmer Xuan Paper are sized and suitable for painting styles such as Gongbi detail painting which require less absorbent paper.
Half Cooked Xuan Paper
This is fine 27gsm paper, in large 13x 70cm or 13x 34.cm size. Handmade xuan paper made with traditional recipes. The raw materials include Pteroceltis Tatarinowii, rice straw, and spring water. The percentage of this half treated Xuan paper is between 33% to 38%. It is less absorbent than normal raw Xuan papers. Therefore, it is much… –
INKSTON 080Xuan Paper
INKSTON 080Xuan Paper contains to 9.8% Pteroceltis Tatarinowii tree bark, it is untreated/unsized (raw/uncooked in Chinese) and is suitable for both painting and calligraphy. This is fine 39gsm paper, in large 100x50cm size (I sheet has a surface area equivalent to 8 sheets A4). Available in pack sizes: 2sheets (0.6kg net weight) 50 sheets (1.1kg net weight) 100 sheets… –
INKSTON 160Xuan Paper
INKSTON 160Xuan paper contains 16% Pteroceltis Tatarinowii tree bark from year old tree, it is untreated/unsized (raw/uncooked in Chinese) and is suitable for both painting and calligraphy. This is fine 48gsm paper, in large 100x50cm size (I sheet has a surface area equivalent to 8 sheets A4). Available in pack sizes: 2sheets (0.55kg net weight) 50 sheets (1.1kg net… –
INKSTON 333Xuan Paper
INKSTON 333paper contains 33 to 38% Pteroceltis Tatarinowii tree bark, it is untreated/unsized (raw/uncooked in Chinese) and is suitable for both painting and calligraphy. This is fine 34gsm paper, in large 100x50cm size (I sheet has a surface area equivalent to 8 sheets A4). Available in pack sizes: 2sheets (0.39kg net weight) 50 sheets (0.78kg net weight) 100 sheets (1.56kg net… –
INKSTON Expert 40 Xuan Paper
INKSTON Expert 40 Xuan paper contains 40% Pteroceltis Tatarinowii tree bark, it is untreated/unsized (raw/uncooked in Chinese) and is suitable for both painting and calligraphy. To make the Expert grade Xuan paper the fibres are steamed/boiled and the pulp mixed for longer than usual. This makes the paper finer and stronger than normal Xuan Paper. This is fine 37.5gsm paper, in large… –
INKSTON Expert 4Xuan Paper
INKSTON Expert 4Xuan paper contains 45% Pteroceltis Tatarinowii tree bark, it is untreated/unsized (raw/uncooked in Chinese) and is suitable for both painting and calligraphy. To make the Expert grade Xuan paper the fibres are steamed/boiled and the pulp mixed for longer than usual. This makes the paper finer and stronger than normal Xuan Paper. This is fine 39gsm paper, in large… –
INKSTON Extra Fine 333Xuan Paper
INKSTON Extra Fine 333Xuan paper contains 33 to 38% Pteroceltis Tatarinowii tree bark, it is untreated/unsized (raw/uncooked in Chinese) and is suitable for both painting and calligraphy. To make this extra fine grade paper the fibres are steamed/boiled and the pulp mixed for several hours longer than usual. This makes the paper finer and stronger than normal Xuan Paper. This is fine… –
INKSTON Extra Fine 4Aged Appearance (light yellow) Xuan Paper
Handmade in the most traditional way with spring water, rice straw, and years old Pterocelti Tatarinowii tree barks. It takes years to prepare raw materials and days to make the paper. INKSTON Extra Fine 4(light yellow) paper contains 65-70% Pteroceltis Tatarinowii tree bark, with natural colouring from walnut skin to give the appearance of paper that… –
Practice Xuan Paper
We also have one Machine-made Xuan Paper for Practice which is sold in sets of 20 complete 35cm * 138cm sheets. This is effectively Plus size paper cut lengthways to two long strips, suitable for calligraphy practice. There is also a full size Red Star practice paper.
Machine-made Xuan Paper for Practice Purpose
Machine-made Xuan paper: the main ingredients for the papers are similar to the traditional handmade Xuan paper but additional chemicals may be added and is made by machine. Suitable for beginners of Calligraphy and Chinese paintings. They are also suitable to be used as scratch papers for practice purposes, especially when you do not want to spend too much money on… –
Red Star Star 10-20% Sized Practice Xuan Paper 6* 13cm
Only available in whole pack of 100 sheets. Size: 6* 138 cm Grade: star, practicing Xuan paper, single layer Recommendation: for daily practice of calligraphy and Chinese painting. Special Features: produced by Red Star according to strict standards. The paper itself is to 20% sized. Therefore, it is easier to control.
Primary, secondary, and tertiary colors, without the addition of white, black, or a third color, are pure (or saturated) colors. They are intense, bright, cheery, and untainted colors.
When white is added to a pure color, you get a tint. Some people refer to these as pastel colors. They are lighter and paler than a pure color, and not as intense.
Tints range from slightly whiter to almost-white.
When black is added to a pure color, you create a shade. These darken and dull the brightness of pure colors, and range from slightly darker to almost black.
Adding black and white in different amounts to a color subdues the intensity quickly.
The Completed Color Wheel
Whew! So there we have it: a complete color wheel with primary, secondary, and tertiary colors, plus their tints, shades, and tones. You can see how it all fits together on the color wheel below.
Cool colors are all on the left side of the wheel, in the blues and greens. The warm colors are all on the right side of the wheel, in the yellows and reds.
Now that you understand color theory and the color wheel, you can start to use color purposefully in your content marketing.
Choosing Color Combinations
Keeping your color combinations simple will help you in the long run.
A study from the University of Toronto showed on how people using Adobe Kuler revealed most people preferred simple color combinations that relied on only to favorite colors.
Too many colors make for a confusing message. So how do you choose those or colors? The color wheel can help.
When the human eye sees a painting full of different kinds of greens, any bit of red is going to stand out amazingly well. Why?
Because red is the opposite color of green. When the eye has been looking at a lot of the same color, it wants to see the opposite for a visual break. Using complementary colors is the easiest way to get something to stand out. Use them with caution to keep your content from being too visually jarring.
Pro Tip: pick a primary color as your main color, and then accent it with its complement color for more of a 7:ratio. This provides a beautiful color pairing, but also lets your eyes break on the opposite color.
The Color Psychology of Red
Red is a very powerful, dynamic color that reflects our physical needs whether to show affection and love, or to portray terror, fear, and survival. Red is also a very energizing color that can portray friendliness and strength, but can also be demanding and show aggression depending on its context.
The Color Psychology of Orange
Orange is also known to be a color of motivation, lends a positive attitude, and general enthusiasm for life. Overall, orange is great for bringing comfort in tough times, and creating a sense of fun or freedom in your visuals.
Orange is commonly seen: Fruits, sporting events, and board games.
The Color Psychology of Yellow
Yellow is the epitome of joy, happiness, cheerfulness, optimism—you name it. Anything happy is almost always yellow. The wavelength of yellow is particularly long, making it have one of the most powerful psychological meanings, while also being the easiest color to visibly see. (Did you know yellow is the first color infants respond to?)
Yellow is commonly seen: Traffic crossings and signs, smiley faces, and window-front displays.
The Color Psychology of Blue
Unlike red, blue lends a more mental reaction rather than physical that allows us to destress, calm down, and think of the most ideal situation. Unfortunately, it also is one of the last colors to be seen, and can be perceived as distant, cold, or unfriendly if used it great amounts.
Overall, blue is a well-liked color that can bring a sense of calmness and trust when building relationships, especially in marketing.
Blue is commonly seen: Workout facilities, hospitals, and spas.
The Color Psychology of Purple
Purple is most commonly known for its imagination and spirituality. It possesses the energy and power of red, with the stability and reliability of blue, making it a perfect balance between the physical and spiritual. Purple is often used to show luxury, loyalty, courage, mystery, and magic.
Purple is commonly seen: Magic shows, fairy tales, and luxury products.
The Color Psychology of Pink
Pink is a sign of hope. It is also known to be very romantic as it shows empathy and sensitivity. If too much pink is used, it can be very draining, show a lack of power, and even immature. Overall, pink can be a great counter-option to the color red when used appropriately.
Pink is commonly seen: Cancer patients, little kid objects, and bathroom products.
The Color Psychology of Gold
Gold has quite a few different meanings depending on your culture. Across the world, though, gold consistently represents some variation of charm, confidence, luxury, and treasure. It also can have an element of friendliness, abundance, and prosperity that is naturally attractive. Too much gold, however, can seem egotistical, proud, and self-righteous. Similar to colors like brown and black, try to use gold more sparingly to highlight rather than be the main attraction.
Gold is commonly seen: Luxury products, rings, and trophies.
The Color Psychology of Black
Black is a color of sophistication, seriousness, control, and independence. Although, it can also be used to show evil, mystery, depression, and even death. Black is a very reserved color that completely lacks any light as its an absence of all the colors. It likes to stay hidden, in control, and separate from others. For this reason, black is a great color for high contrast and easy legibility. Unfortunately, since its a very powerful color, too much black can cause sadness and overall negativity so use it sparingly and in your text more so than the visuals itself.
Black is commonly seen: Professional attire, luxury products, and limos.
The Color Psychology of White
White is color that is complete and pure, making it a perfect example of purity, innocence, cleanliness, and peace. White can also represent new beginnings, providing a blank slate, and gives refreshment for new ideas. Since white has an equal balance of all the colors, it can exemplify several meanings, with equality outweighing them all. White is a great color for simplicity, cleanliness, and idea creation; however, avoid using too much white as it can cause isolation, loneliness, and emptiness.
Every culture understands a color differently. It has a role to play in religion, politics, ceremony, and art. The culture your audience is in affects how they understand deeper meanings of color. Even the context you use the color in affects the meaning of color. For example, in India, red means purity, while in the U.S. it denotes passion and specific holidays.
Word Connections To Color
In a survey, people were asked to choose the color they associated with particular words.
Trust: Most chose the color blue (34%), followed by white (21%) and green (11%)
Security: Blue came out on top (28%), followed by black (16%) and green (12%)
InkFormulation Software is a fast, accurate, consistent ink formulation, formula creation, storage, approval and retrieval solution for offset, flexo, gravure and screen-printing inks.
Next generation handheld color measurement solution for understanding, controlling, managing and communicating color across the entire color workflow, avoiding reprints and rework.
Total cost of ownership
When buying a printer, remember that the price you pay in the store is just the beginning. Be sure to consider the cost of replenishing toner and other consumables over the lifetime of the printer. This is particularly important if you print a lot. A set of toner cartridges can easily approach the cost of a colour laser printer.
Most manufacturers quote a ‘page yield’ estimate for their ink cartridges, which is the typical number of pages you can expect to print before the cartridge runs out of ink. You can use the page yield to calculate the average cost per page and you’d be surprised to find how much this can vary from one printer to another.
Of course, if output quality matters more to you than cost, scoot over to the other end of the cost spectrum where there are more specialised printers that use five or even six inks for printing photographs. Those additional inks can produce excellent results for your photo prints, but they add to the cost, sometimes pushing the cost for photos up to 10p or more per page.
Print speed and additional features
Speeds quoted by manufacturers are almost never matched by real-world performance. If you often need to print in a hurry, look for independent reviews when choosing your printer.
Other useful features to look out for include additional USB ports and memory card slots that will allow you to print photos direct from a camera.
High-capacity paper trays capable of holding hundreds of sheets of paper, or an automatic document feeder that can handle scanning and copying work while you go and do something more important, may be worth looking out for.
Double-sided printing is handy for halving your paper usage.
It’s also worth thinking about the bundled software that comes with your printer. Some printers include software that provides basic editing features, such as red-eye removal or adjusting the colour balance – some even allow you to perform simple editing tasks using controls on the printer itself.
Offset printing on plastic substrates is achieved with the use of UV inks and special chemicals on presses with UV drying capabilities. Plastic substrates cost substantially more than paper products.
Polyethylene is a soft, flexible thermoplastic. It is the most common plastic and used extensively in packaging, especially plastic bags.
Polypropylene is a versatile material available in clear, translucent, opaque, and various colors. PP is also available in a variety of surface finishes including matte, gloss, and textured. PP is used extensively for packaging, tags, folders, and promotional products.
Polyester is durable and tear resistant plastic sheet suitable for both offset and digital printing when treated with a special coating which enables ink adhesion.
Polystyrene is an economical plastic sheet that accepts ink well and works well in die-cutting applications but has a tendency to splinter when cutting.
PVC, Polyvinyl chloride is printable in all UV and Digital printing processes, available in translucent, white, and colors with various levels of gloss. PVC is commonly used in plastic card printing.
Vinyl is a soft plastic product available in gloss and matte finishes, used extensively in the production of stickers and labels.
Wristbands are a very specialized option for barcoding but also the best fit for the application of tracking people. You could always use a label on someone’s clothing but this will not be a reliable option since it’ll most likely fall off. A wristband is a reliable and easy to use means to get a barcode on a person that will not fall off and handle the rigors or everyday life.
Most labels use an acrylic permanent adhesive that is great for smooth, clean surfaces. Once this adhesive fully bonds to the surface it will be difficult to remove and in the process you will either destroy the label itself or leave a fair amount of residue at the very least. Permanent adhesive works well on paper, wood, glass, plastic, and some metals.
Removable adhesives do not have the same strength or stickiness as permanent adhesives, which make it easy to remove a label without damaging it or the item. Most often, a removable adhesive is used when a label is being used on paperwork during a process and then a product box when completed. Some specialty retails will also want to use this type of adhesive so that they can easily remove a pricing label without any residue on the item.
High tack adhesive is a type of permanent adhesive that has extra initial stickiness. This type of adhesive is typically used for situations where you don’t have a clean, smooth surface at room temperature to apply the label. If you are using labels on site in a dirty environment like a building work site, a high tack adhesive would ensure the label bonds to the surface more quickly.
Additional Media Features
Although we have covered all the basic features you will need to determine to find the right media for most applications, there are a couple more options that are not as common but need to be addressed. These options may put your media choice into the realm of custom made vs. stock, off-the-shelf option. Custom media may require extra lead times and can easily increase your overall cost of the solution.
The vast majority of media is going to be blank white but a variety of colors are available. When a label or tag is colored it is referred to as “flood coated”. This just means that the entire surface is colored without any edge or border. There are often a few sizes of colored labels available off-the-shelf but if your required size is not available it will have to be custom made.
Every stock label, tag, and wristband is going to be a rectangle or square. This is not to say that other shapes are not possible though. Some applications may want a circular label for easier identification or to fit on a bottle. There are some stock butterfly shaped labels for jewelry labeling but anything else beyond rectangular will always have to be custom made.
Finding the Right Barcode Labels and Ribbon
Colour of the Paper
The colour of the paper you print your resume on is important since it portrays your personality. A resume printed on almond-coloured paper stands for your authoritativeness while that on ivory-coloured resume paper could be taken for your docile and clean workplace attitude.
Texture of the Paper
Most people use cotton based papers to print their resumes. To stand out from the crowd, you could go for a linen-based paper. A 100% linen-based paper also has textured lines on its surface which can give a well-drafted appearance to your resume.
A resume must only be printed on a single side of the paper. In case, your resume is more-than-one-page long, you must print only on one side and use additional sheets of papers. Black is the standard colour all resumes must be printed in.
Student vs Artist grade
Art supplies manufacturers generally have student and artist grade versions of coloured pencils. The main difference is the amount of pigment used. Pigment is what contributes to the colour. The pigment is held together with a binder, usually oil-based or wax-based, and enclosed in wood. Artist quality pencils have a high pigment to binder ratio so you need to use less to create an intense colour. Student quality pencils have lower pigment to binder ratio so to achieve the same intensity, oftentimes you have to use more of it. Sometimes, it can be quite frustrating to coax the intensity out of poor quality pencils.
Student quality coloured pencils are cheaper than artist grade. You get what you pay for. However, there are actually affordable coloured pencils that perform relatively well too, such as the Derwent Coloursoft.
As with any art supplies, you’ll want to get one where the colours can last and not fade. This attribute is called lightfastness. Manufacturers may list their own lightfast rating, but to know how lightfast your pencils actually are, you need to test them yourself. And to do that, you just have to create some colour swatches, leave them facing sunlight for a few months, and check back again.
Faber-Castell is one of Germany’s oldest industrial company that was founded in 176Years of manufacturing art supplies have made the brand well known worldwide. They usually have special wooden box sets that make for very nice gifts.
Polychromos : These oil-based coloured pencils are their best. The pencils have very good lightfastness too. As with good quality pencils, they are creamy, intense and easy to apply. Total colours: 120. : These budget pencils come with triangular bodies and are available in both dry and watersoluble forms. Total colours: 60. : These are artist grade watersoluble pencils. Total colors: 120.
Prismacolor is also a very popular brand, up there with Caran d’Ache and Faber Castell when it comes to brand recognition.
Art Stix : Prismacolor markets these as pencils but they certainly do not look like pencils in their rectangular block form. They are whole sticks of pigments and you use them like you would pastels sticks.
Prismacolor Premier : These wax-based pencils have very favourable reviews however in recent years, there have been complaints regarding breakage. So do read more reviews to check if the problem has been rectified by Prismacolor. These are artist grade coloured pencils and come in 150 colours.
Verithin : These are hard core pencils with budget price tags. Many reviews say that they have a transparent quality to them and are nice to sketch with. The reason for the transparent quality is because the core is hard hence lay down less colour and allows the paper to show through. If you want sketching coloured pencils, this could be a good choice. Premier coloured pencils are for those who prefer opaque coverage. Total colours: 36
Prismacolor Watercolor Pencils : These budget friendly watersoluble pencils. They are soft, blend well and have the flexibility to be dissolved with water. Total colors: 36
Derwent is from The Cumberland Pencil Company that dates from a factory established in 183They have many brands of coloured pencils that it can get confusing. If you know what you’re looking for, you have access to a huge variety of options.
Academy : As the name suggest, these are student grade coloured pencils. Total colours: 36
Coloursoft : These are soft, smooth, velvety coloured pencils. They are relatively affordable but yet are able to produce vibrant colours. Check out this review by Don Low. Total colours: 72
Graphitint : These are watersoluble graphite pencils tinted with colours. Since they are graphite, the colours are muted and are challenging to mix. The colours become more vibrant when water is added. Downside is the colours can fade with time so lightfastness is not that good. Total colours: 24.
Inktense : These watersoluble coloured pencils are among the most intense when compared to other brands. When water is added, it’s almost like working with liquid ink because of the intensity. When you wet the paper and draw with them, it’s like drawing with bright markers (without the bleed). Total colours: 72
Metallic Colored Pencil : These specialty watersoluble pencils are almost like Graphitint except they come in metalic colours. Unfortunately, they aren’t exactly as shiny as metal or iridescent. Total colours: 1: These are coloured pencils at budget prices. They are hard and meant for details. Colours are not as intense compared to other brands but that’s not surprising given it’s affordable price tag. Total colours: 72.
Tombow is a Japanese company and they make a variety of drawing tools and stationery. Of particular interest are their watercolour sets called Irojiten that are very beautifully packaged.
Irojiten : These budget pencils come in many sets and are usually sold in packs of three where each pack has pencils. These are hard pencils so they aren’t as good when it comes to covering large areas. So they are better at details. A downside is the lack of intensity when compared to other brands. Another downside individual pencils are difficult to replace because there is no open stock.
First of all thanks for reading my article to the end! I hope you find my reviews listed here useful and that it allows you to make a proper comparison of what is best to fit your needs and budget. Don’t be afraid to try more than one product if your first pick doesn’t do the trick.
Most important, have fun and choose your Colored Paper wisely! Good luck!
So, TOP3 of Colored Paper
- №1 — Colore ProVisible Graphite Transfer Artist Paper 9×13″ – Boldly Create Art With Reusable & Erasable Carbon
- №2 — BOISE FIREWORX PREMIUM MULTI-USE COLORED PAPER
- №3 — Neenah Astrobrights Premium Color Paper Assortment